Kintsugi品牌包装设计
「被虫咬的茶叶，成就了东方美人，被生活痛打的我们，技术上来说，好像也算是东方美人？」
受伤了，伤口会愈合，瓷器碎了，用金粉修缮。修缮处谓之景色，脆弱与坚强并存如我们。从生活陷落处修理，夹缝里换气找自己。不图遮掩，更见完美。在雨过天晴，金黄茶汤里见苦尽甘来，敬那些不完美的美。
以金缮文化「修复重生」的概念连结茶品项让人沉静、疗愈的意象，比起喝了再上Kintsugi更希望你冷静一下(或是喝了躺下也很好)，茶很烫，慢慢等它凉，喘口气再上。
Kintsugi希望多点和自己相处的空间，在包装刻意降低对风味的描述，以故事的方式更情境的、更生活经验的方式呈现一杯茶的想像空间。比起灌输知识，我们选择当个分享故事的人，毕竟昨天的事故都是今天的故事嘛，磕磕绊绊用来拌饭。
"The tea bitten by insects has become an Oriental beauty, and we who have been beaten by life, technically speaking, seem to be an Oriental beauty."
A wound heals, a broken China mended with gold dust. The landscape of the scriptorium is fragile and strong as we are. Repair where life has fallen, breathe in the cracks and find yourself. Not to hide, but to see perfect. In the sunshine after the rain, the golden tea to see the bitter joy, to those imperfect beauty.
Kintsugi culture with the concept of "restoration and rebirth" to connect the tea items to make people calm, healing imagery, rather than drink Kintsugi more hope that you calm down (or drink and lie down is also very good), tea is very hot, slowly wait for it to cool, catch your breath again.
Kintsugi hopes to have more space to get along with himself, deliberately reduce the description of flavor in the packaging, and present the imagination space of a cup of tea in a more situational and life experience way in the way of a story. Instead of inculcating knowledge, we choose to be people who share stories, after all, yesterday's accident is today's story, stumbling for bibimbap.
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